Source: CDODev.COM
If you’re into classical music, this might interest you. Vienna based pianist Aries Caces, one of the most versatile Filipino concert pianists, will hold a pre-Valentine Concert at Rodelsa Hall in Cagayan de Oro City on February 12, 2014.
Tickets are priced P300 and for the benefit of the scholarship program of Rodolfo N. Pelaez Foundation.
Filed under Art And Culture, Music
by jun asuncion
If you understand that music is a craft, then you would also appreciate watching how musicians work offstage in full concentration as they give form to a printed music and refine the details. It is hard work. Personally, I enjoy more watching rehearsals or musical workshops for that matter than concerts for the simple reason that I learn more about music. In a concert situation you’ll only find yourself adoring the artist after a virtuosic or in your own opinion a perfect piano playing and interpretation. But if you ever learned something about the music and techniques, that’s another question.
I have seen two years ago how Aries Cases rehearsed his pieces in the morning before his evening concert, and how he was completely absorbed in his playing amidst the noises around him as chairs were being pushed and pulled, mics and mixer being tested, stage screen rolled up and down, tables set, etc. Aries just went on undisturbed, hovering his fingers on the Steinway keys, playing a barrage of perfect glissandos of Liszt’s Mephistopheles Waltz, Beethoven’s Appassionata, to name just a few of his very heavy playlist that evening of 2009. After his rehearsal, I helped him re-position the piano in search of the point on the stage with the best acoustic return for the pianist. And then we talked about music.
Now, as my mind is full with classical music again in anticipation of Aries’ concert in Zürich next month, I was fortunate enough to have found uploaded video materials with Aries and his student during a master class on Beethoven’s piano works held in Manila. Here you can see how a master shows the student the finesse of piano playing and musical interpretation.
I look forward to meeting Aries next month with Franz Liszt in his luggage, I mean in his head, for I know he will be playing Liszt’s piano works wholly from memory. I’m over the moon as I imagine to hear live Liszt’s Liebestraum, Hungarian Rhapsodies, Trancendental Etudes and perhaps Nuages gris. This year marks the 200th birth anniversary of Franz Liszt, the enfant terrible of piano in his time who, in 1848 in his mid-age, had left the concert stage and retired into seclusion in search of new musical forms and harmonies which resulted in his symphonic poem – a one movement orchestral music- and in works containing whole tone scale, parallel fifths, diminished and augmented triads and dissonances, thus breaking the walls of classical constraints and laying the foundation for 20th century composers like Ravel, Bartok and Debussy and anticipating to a great extent modern musical forms as rock and jazz.
My acknowledgement to Aries’ student for his uploaded video clips.
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The Pianist
Vienna based pianist Aries Caces is one of the most versatile Filipino concert pianists. Aside from being a chamber musician and repetiteur, he is also a conductor. The late Manila critic Vilma Santiago-Felipe described him as “another gem in the Philippine music scene.” At the age of seven, he enrolled at the University of Santo Tomas (UST) Conservatory of Music as a personal scholar of Prof. Feliza Custodio. From 1980 to 1985, he attended the Philippine High School for the Arts and the UST Conservatory of Music under the tutelage of Prof. Ernestina Crisologo and Prof. Bernardino Custodio. In 1982 he won First Prize in the National Music Competitions for Young Artists (Piano Category). Two years later, he was runner – up in the Manila Symphony Orchestra Concerto Competitions. Caces came to Graz, Austria in 1985 upon the invitation and arrangement of then Austrian Ambassador to the Philippines, Dr. Friedrich Posch. He studied with Prof. Walter Kamper at the Hochschule für Musik und darstellende Kunst in Graz. From 1986 to 1993, he was under the tutelage of world-renowned pianist Prof. Paul Badura-Skoda at the Hochschule für Musik und darstellende Kunst in Vienna. He finished his “Diplom” in 1989 and obtained his Master’s Degree (Magister Artium) in Piano Performance in 1994 under Prof. Roland Keller. He also studied Piano Chamber Music with Prof. Georg Ebert. In 1999, he finished his “Diplom” in Conducting at the Hochschule für Musik in Vienna under the tutelage of Prof. Uros Lajovic. Caces has performed several solo recitals and various concerts in the Philippines, Austria, Canada, Czech Republic, France, Germany, Spain, Switzerland, and the U.S.A. In 1989, he was soloist of the Hochschulsymphonieorchester in a concert performed at the Golden Hall of the Musikverein in Vienna. He was awarded the “Prix Decouverte” during the Festival International de Musique in Le Touquet, France in 1991. He has also played as soloist of the Philippine Philharmonic Orchestra, UST Symphony Orchestra and the Hannover Kammersymphonieorchester. In 2001, he was a featured soloist of the Philippine Philharmonic Orchestra during its first European tour. He was a recipient of several scholarships, including the Makiling Academy and Research Institute for the Arts (MARIA), UST Conservatory of Music Alumni Association, Music Promotion Foundation of the Philippines, Cultural Center of the Philippines Young Artist’s Fund and the Austrian Federal Ministry of Science and Research.
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by jun asuncion
The piano concert last Thursday, December 10, was a success in as much as it has shown the cultured face of the Filipinos here in Europe. It was therefore much of a cultural success, less of a financial one due to a relatively short time to advertise it in a big scale to reach out more people and one more, December is just a busy month for many people here in Zürich. We were actually advised by the Swiss-Asia Chamber Of Commerce to postpone it for next year but the Filipino organizers, namely Mila Asuncion with me, and Franklin Patricio with Elizabeth- and above all our virtuoso pianist Aries Cases- decided to keep the schedule and just focussed our attention on the aspect of quality than quantity. Little amount, but sincere support- and most of all excellent music!
And we were right because more often it is quality that speaks around. The many medical doctors and some friends who sponsored the event , the other medical personnel of the Hirslanden Clinic and all the other guests – both Swiss and Filipinos- who appreciate classical music were all fascinated and went home with good stories to tell that Thursday evening. With it, we have laid down also the foundation for future concert planning with Aries Cases and with other excellent Filipino artists who reside in Europe.
The Ondoy victims would surely understand us if we cannot send that much alone from this concert’s financial turn-over. But to put things in proper perspective again, this concert was actually our expression of deep sense of gratitude primarily to the Hirslanden Clinic for donating a bigger amount to the Ondoy victims last October after we have approached them wherein the clinic director Daniel Liedtke and the communication officer Andrea Helm- Jochan, after a thorough examination of our case, had promised us the needed help not only financially but also in creating awareness of the problem among the clinic personnel by means of internal publication.
However, we will pursue next year with our own humanitarian projects in the Philippines on our own efforts, planned projects that preceded the typhoons last October. It takes time naturally to organize such fund-generating activities taking into account that we are all busy also with our own work, families, etc.
I will attempt to make a review of the musical part of that evening in a separate article and hope to be able to bring justice than damage to Aries Cace’s superb musical performance.
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Before the Storm
Some photos taken before the storm, – before that stormy Beethoven’s Sonata No. 23 in F minor.
Aries is enjoying the evening before the concert. The next day, December 10, he was already absorbed in his material,
as he practised by himself a few hours before the concert.
Relaxing pose after Mövenpick’s fine Ice-coffee and cappuccino.
Franklin, Aries and Jun. A nice evening and good discussions
about the Chinese pianist Lang-Lang, music and the arts and life in the Philippines.
Mila, Aries and Elizabeth.
Enjoying the basic chordal harmony of the evening.
The presentation and Concert Evening
Mila Asuncion delivering her opening speech with power point presentation;
she talked about her experience of the devastating Dante storm
last May that hit the town of Bulan.
Consul Margarita S. Ibayan delivering her message as she acknowledges
the typhoon assistance from various Swiss charity organisations.
Aries Caces receiving the big applause after Franz Liszt’s Mephisto Waltz.
A relaxed pose with Franklin and Mila after a job well done and
that furious leaps and bounds of the Mephisto Waltz.
The talented girl Sheena singing Ang Bayan Kong Pi
lipinas ,
a song which brought
everybody back to the “normal” mode after Arie’s hypnotic playing of heavy
and at times dreamy classical pieces.
Concert guests hunting for Aries’ autograph.
About the pianist and conductor Aries Cases
Vienna based pianist Aries Caces is one of the most versatile Filipino concert pianists. Aside from being a chamber musician and repetiteur, he is also a conductor. The late Manila critic Vilma Santiago-Felipe described him as “another gem in the Philippine music scene.” At the age of seven, he enrolled at the University of Santo Tomas (UST) Conservatory of Music as a personal scholar of Prof. Feliza Custodio. From 1980 to 1985, he attended the Philippine High School for the Arts and the UST Conservatory of Music under the tutelage of Prof. Ernestina Crisologo and Prof. Bernardino Custodio. In 1982 he won First Prize in the National Music Competitions for Young Artists (Piano Category). Two years later, he was runner – up in the Manila Symphony Orchestra Concerto Competitions. Caces came to Graz, Austria in 1985 upon the invitation and arrangement of then Austrian Ambassador to the Philippines, Dr. Friedrich Posch. He studied with Prof. Walter Kamper at the Hochschule für Musik und darstellende Kunst in Graz. From 1986 to 1993, he was under the tutelage of world-renowned pianist Prof. Paul Badura-Skoda at the Hochschule für Musik und darstellende Kunst in Vienna. He finished his “Diplom” in 1989 and obtained his Master’s Degree (Magister Artium) in Piano Performance in 1994 under Prof. Roland Keller. He also studied Piano Chamber Music with Prof. Georg Ebert. In 1999, he finished his “Diplom” in Conducting at the Hochschule für Musik in Vienna under the tutelage of Prof. Uros Lajovic. Caces has performed several solo recitals and various concerts in the Philippines, Austria, Canada, Czech Republic, France, Germany, Spain, Switzerland, and the U.S.A. In 1989, he was soloist of the Hochschulsymphonieorchester in a concert performed at the Golden Hall of the Musikverein in Vienna. He was awarded the “Prix Decouverte” during the Festival International de Musique in Le Touquet, France in 1991. He has also played as soloist of the Philippine Philharmonic Orchestra, UST Symphony Orchestra and the Hannover Kammersymphonieorchester. In 2001, he was a featured soloist of the Philippine Philharmonic Orchestra during its first European tour. He was a recipient of several scholarships, including the Makiling Academy and Research Institute for the Arts (MARIA), UST Conservatory of Music Alumni Association, Music Promotion Foundation of the Philippines, Cultural Center of the Philippines Young Artist’s Fund and the Austrian Federal Ministry of Science and Research. —
The Welcome Speech
by Mila Asuncion
The global warming is the greatest contributory factor that created major climate problems also in our country, the Philippines.
The continues change of temperatures and weather conditions are signs that the Mother Earth has began to suffer.
Therefore, every individual is responsible to focus awareness and consciousness to this problem and help in each own way save the planet Earth from total destruction, or the Philippine archipelago from sinking in the Pacific ocean. So, let us unite to fight for a good cause for the sake of our children and their childrens’ children.
Speaking about my personal experience last May 2009,
in Bicol region in the town of Bulan which is located at the southern part of Luzon, this is the „epicenter“ of typhoons the whole year-round.
So people were almost all the time ready: They have rubber boats, bankas or just about any object that floats for them to survive! The typhoon was raging the whole time in the region.
To our surprise, it came to a point that over night water came up to 10 feet high. In high flooded areas, people were gasping for breath, holding on a rope tied in both ends to save themselves, with water coming up to their neck, fighting not to sink in deep mire where there’s no longer a solid place to stand. I have seen how the flood waters carried them away.
Words cannot express what I felt and seen that very moment but these pictures speak more than words.
It was unbelievable and I was caught unaware when we went to the school building where the evacuees were waiting for reliefs.
I just can`t help and I felt as if an apple got stuck in my throat, as I tried my best to be brave and not to cry, but at the end I bursted into tears. I was shocked!
The shivering children with their innocent looks, hungry, anxious and thirsty that the whole night till we found them the next morning as the storm continued pounding the town without mercy with with torrential rains and gusty winds.
No beds, no warm blankets, but in as much that they wanted to have comfort and security, there is this problem of poverty which is making their situation even more miserable.
We came to their rescue ; me, my husband as well as other relatives around. Indeed, we suddenly found our selves in the midst of Humanitarian Action:
Hot drinks, juices and simple food at that instant moment were served and using our personal belongings to dry them.
The children dared to smile while waiting for their turn when they were served with their foods and drinks.
In Bulan, a town in southern Luzon, we went before this storm to a small barrio called Santa Remedios to visit the Sta. Remedios Charity Clinic, a small but cozy place built by a single woman’s compasion for the sick, the helpless and the vulnerable.This woman is a Filipina nurse working in the United States of America whose name is Angelita de Guzman Kowalevsky.
This clinic has served sick people from neighboring islands with two volunteer doctors and two trained helpers.
This caught my eyes and heart, and I would like to say that this woman, though I have never met her yet personally, is one of the Florence Nightingales in our country.
These pictures were taken the day before the storm.
Unfortunately, this was submerged during the devastating storm.
And this is what Angelita said:
„I had been supporting this clinic for four years now. I need your help desperately. Please save one more life. Let us all continue this humanitarian services“.
Ketsana, Ramil and Parma. The three devastating storms last October.
These became the root and cause of why we are here tonight but this problem that we are facing every time is really very awful.
Billions of pesos were lost in properties and harvests as well as hundreds of lives- an experience that will be transmitted from generation to generation because this was one of the worst catastrophes in Philippine history.
With our heartfelt gratitude, we welcome you all tonight with the presence of our First Secretary and Consul Margarita S. Ibayan of the Philippine Embassy in Bern.
We wish you all a pleasant musical evening. /
(Photos by Dr. Jun Gao and Mr. Jun Asuncion)
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Filed under Arts, Culture, Fundraising, Music
