Category Archives: Art And Culture

Art & Family: The Asuncion Legacy

Ayala Museum, with the support of Bench, DivinaLaw, Araneta & Faustino Law Offices, and AuraStrat, will be presenting an exhibition of 19th century paintings, illustrations, and sculptures by preeminent Filipino artists of the time, the brothers Justiniano, Leoncio, and Mariano Asuncion.

Entitled Art and Family: The Asuncion Legacy, the exhibition will be on display at Ayala Museum’s Third Floor Galleries and will run from 8 August 2017 to 14 January 2018.

Justiniano Asuncion
Portrait of Filomena Asuncion
Villafranca
Oil on canvas
81 x 61.5 cm.
Dr. Eleuterio Pascual Collection

Selected works include paintings and sculptures, miniatures, medallions, portraits, and watercolor illustrations by the aforementioned artists loaned from both private and institutional collections.  Many are commissioned by the artist’s patrons and families and showcase both popular religious and secular motifs of the time.

 

 

 

 

The union of Mariano Asumpcion and Maria dela Paz Molo de San Agustin of Manila produced 12 children: Manuel (born 1732); Antonio (1794); Victoria (1796); Mamerta (1789); Justo (1800); Mariano(1802); Epifanio (1806); Ambrosio (1808); Pascuala (1811); Leoncio (1813); Justiniano (1816); and Canuta (1819),  who had devoted their lives to the arts through paintings and sculpture.  As a big family, art kept them a closely knit clan. Many of the original works of the Asuncion family have been lost through fire, earthquakes, floods, and wars.

The descendants hold regular meetings and reunions and have initiated this exhibition to honor the memory and legacy of the Asuncion family, whose works are held in high esteem in Philippine art history.

Mariano Asuncion (1802-1888) is the eldest of the featured artists and enjoyed a wide patronage of religious clientele. His subjects were mostly about the miracles of saints, the Passion of Christ and images of the Virgin Mary. His works are compared to Italian painters of the 13th – 15th centuries. Leoncio Asuncion(1813-1888) is considered as the Father of Modern Religious Sculpture. He is remembered for his santos made of ivory and wood. Justiniano Asuncion (1816-1896), fondly remembered as Kapitan Ting after having served as cabeza de barangay of Sta. Cruz, Manila, in 1853, was a painter known for his portraits. Aside from exposure from practicing artists in his family, he also received artistic training under Damian Domingo (1796-1834) noted painter of portraits, miniatures and religious imagery, who established an art school in Tondo in 1821.

Additional support for this exhibition was provided by Via Mare. Talks and activities will be scheduled during the exhibition run and will be announced through Ayala Museum’s website and social media channels.

For more information, visit www.ayalamuseum.org or call (632) 759 82 88 or email hello@ayalamuseum.org.

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Art and Family: The Asuncion Legacy

THE Ayala Museum presents an exhibition of 19th century paintings, illustrations, and sculptures by the pre-eminent Filipino artists of the time, the brothers Justiniano, Leoncio, and Mariano Asuncion. Entitled Art and Family: The Asuncion Legacy, the exhibit will be on display at the museum’s 3rd floor Galleries from Aug. 8 to Jan. 14. Selected works include paintings and sculptures, miniatures, medallions, portraits, and watercolor illustrations. Talks and activities will be scheduled during the exhibition run and will be announced through Ayala Museum’s Website and social media channels.

asuncion legacy

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Asuncion Treasures at the Central Bank Museum and Metropolitan Museum Of Manila

Posted by junasun

The following photos of the works of Rafael Asuncion, Justiniano and Mariano El Major (or maybe of El Minor) were provided to us by Sonny Asuncion Rayos during his last visit  to Manila. Only very few of our relatives are aware of the existence of some valuable works and masterpieces of our forefathers in these museums and in private collections. We owe a lot then to relative like Sonny for his untiring hunt for our  lost treasures.

Here is Sonny:

“The Asuncion and Paterno art and historical pieces are sought after by museums in Manila. Here are some of the art works of Mariano and Rafael Asuncion from the Central Bank Museum.  The Metropolitan Museum of Manila has, in its collection, an oil painting of Justiniano Asuncion entitled “Ang Pagpanaw ng Patriyarka…. I am excited to see these important historical and art pieces and I am just as thrilled to share these pictures with Bulan Observer readers.”
 

 

 

Rafael Asuncion and his Peso designs

 

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Pedro Paterno and the Five and Ten peso note of the first Philippine Republic

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Justiniano Asuncion’s The Passing Of The Patriarch

 

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Mariano Asuncion’s Nuestra Senora De La Paz

 

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Piano Concert: Aries Caces

Source:  CDODev.COM

 

If you’re into classical music, this might interest you. Vienna based pianist Aries Caces, one of the most versatile Filipino concert pianists, will hold a pre-Valentine Concert at Rodelsa Hall in Cagayan de Oro City on February 12, 2014.

Tickets are priced P300 and for the benefit of the scholarship program of Rodolfo N. Pelaez Foundation.

 

 

caces (1)

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Buildings designed with unique character finding market

From Philippine Daily Inquirer

Even when buying a townhouse or residential condominium, customers these days expect so much more from a brand. Chief among these expectations, particularly among high-end buyers, is that spaces have a certain unique character they can relate to or a strong “sense of place,” according to Digno “Ding” Asuncion, who, together with wife Isabel, heads Asuncion-Berenguer Inc. (ABI), a leading architectural and interior design firm.

Thus, when ABI drew plans for a boutique 280-unit town house development by Alveo Land in Pasig City, the firm shied away from safe-and-tested design solutions. It chose a contemporary theme focused on the cubiform for the townhomes. For the centerpiece of the community, the clubhouse, Ding designed an irregular L-shaped layout, with window recesses that play on irregular angles.

“Many people believe symmetry is beauty. In Ametta Place, we wanted to show that asymmetry can also be very attractive,” explains the architect, who, after working with international architectural firms in Hong Kong, set up his own design office doing design work in Guangzhou and Shanghai, and in the colony at the height of the construction boom in the ’90s.

Asymmetry is also very evident in a four-level clubhouse for Solinea Condominium Resort in Cebu, also drawn up by ABI. The clubhouse’s layout and facades likewise shy away from right angles.

The architect who paints abstracts in mixed media and creates metal sculptures to destress observes that more and more upper-end real estate clients are traveling these days and getting exposed to unconventional architecture that make a design statement.

Another ABI project that breaks the monotony of traveling on the North Expressway is an all-white Shell Station Food Hub along North Luzon Expressway, with a roof that seems to form a wave. Inside, the structure breaks away from the standard flat ceiling and follows the curves of the roof, allowing the visitor to experience that strong sense of place consistent with the works of ABI.

States Asuncion, who conceptualized that Shell Station design inspired by a handkerchief waving in the wind: “We want people to stop and think when they see our work. We enjoy deconstructing simple shapes and putting them back together in a unique way.”

To keep his creativity flowing, Ding dabbles in the fine arts. He works with mixed media on canvas and has a marked preference for acrylic and charcoal. His garden in the Quezon City home he shares with Isabel and their three children displays his metal sculptures that he leaves to rust—finding beauty in the oxidation process. Nevertheless, he does not exhibit or sell his works as a rule. The rare owner of three of his paintings is an ex-pat, who bought a Belleview flat in Tagaytay Highlands once owned by the couple. The buyer purchased the place on the condition that Ding’s paintings should be part of the package.

A descendant of Justiniano Asuncion or “Kapitan Ting,” one of the leading Filipino painters of the 19th century, Ding was once a University of the Philippines fine arts student. On his second year, he shifted to architecture and moved to the University of Sto. Tomas because it allowed him to “work on a more artistic and purposeful scale beyond that which a visual artist would normally encounter.”

In 2013, another ABI-designed structure in Bonifacio Global City is bound to make passersby pause and think. To maximize visual impact, the mid-rise headquarters of Alveo Land is composed basically of two attached rectangular masses, with one significantly smaller than the other. Its glass wall exteriors boldly display solid diagonal panels which continue beyond the roofline.

“Our client is a prolific developer that embraces green architecture. They continually explore new concepts for their projects and have grown leaps and bounds,” says Ding. He drew inspiration from the bountiful grass that grows in Bonifacio Global City’s open spaces, which are fast disappearing and may in the near future be immortalized only in this prime building beside High Street.

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Moved To Tears

by jun asuncion

My cousin Sonny Rayos has just done  a magnificent job by taking photos of our great ancestor  Justiniano Asuncion’s Watercolor Paintings at the New York Public Libraray. He said he was moved almost to tears to hold and see for the first time these known works of Justiniano. It also deeply moved me that at the other side of the globe, I  have this cousin who is also actively searching for the roots and sharing his findings.

I highly appreciate Sonny’s efforts for he makes it possible for all other  Asuncions to view these works without going to New York. I was very excited that I immediately worked on the photos for publication. Sonny was allowed by the NYPL to take photos of Justiniano’s original watercolor paintings.

Sonny’s great great grandfather was Leoncio Asuncion, Justiniano’s brother. Here is Sonny’s photo holding an original painting by the master. Below is his e-mail to me this morning:

To all:

I was in New York City during the first week of August and rather than go to the Guggenheim, MoMA or Met museums, I decided to check out the NYPL’s (Schwarzman Building on 42th St. in midtown Manhattan) Justiniano Asuncion watercolor collections. These watercolor painting were digitalized several years ago. Y’all are probably familiar with these collection by doing an internet search on: “NYPL Justiniano Asuncion.” To see the paintings (which, at the time. I didn’t even know that I could view them), I was shuffled from the main lobby librarian, to Room 300, to Room 308, then had to apply for a NYC libary card, and then back to Rm 300 which is actually a secure room – you have to be buzzed in. FYI – the librarians were very excited when I told them that these were my ancestors paintings.

So finally here I am looking at my great, great, great uncle Justiano’s watercolor paintings. I was moved, almost to tears – to finally hold in my hand the paintings of Justiniano – looking and perusing each and every one closely (thank goodness, I even brought with me a magnifying glass!) I cannot help but think, every art critic is right: Justiniano Asuncion is THE MASTER!

Sonny Rayos

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Justiniano Asuncion’s Watercolor Paintings

  photos by Sonny Rayos

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